Blues Update

GIBSON BRANDS LAUNCHES LIMITED EDITION JOE BONAMASSA FIREBIRD 1 EPHIPHONE SIGNATURE GUITAR

Friday , September 29, 2016
LIMITED EDITION GUITARSARE A PRECISE REPLICA OF THE ORIGINAL 1963 FIREBIRD 1. One Of JOE BONAMASSA’S FAVORITE STAGE AND STUDIO GUITARS

J&R Adventures Deerfield Beach, Florida (September 29, 2016) has joined forces with Gibson Brands to announce the limited release of the Polymist Gold Epiphone Firebird 1 and the Tobacco Finish Epiphone Firebird 1.  These guitars are almost exact replicas of original 1963 Gibson FIREBIRD 1and are of highly limited supply

J&R Adventures, founded in 2006, is the official music management company and record label for blues-rock titan and Grammy award nominated artist Joe Bonamassa. J&R a full service firm that handles everything from Joe Bonamassa’ s album releases and concert tours, to his marketing, press, e-mail marketing and social networking. J&R Adventures count among its greatest successes to be helping Joe Bonamassa to release 11 #1 Billboard blues albums, with his latest album Blues of Desperation  hitting in the top 10 on the top 200 overall albums chart. Bonamassa has also become a touring juggernaut, often playing up to 100 shows per year and recently performing at some of the greatest venues in the world; Royal Albert Hall, Radio City Music Hall, Carnegie Hall, The Vienna Opera House, Sydney Opera House, and Red Rocks Amphitheatre.

Offered to true historic specifications, the Joe Bonamassa Firebird 1 is offered in two finish options (Polymist gold and Tobacco ).The neck consists of double-carved, one-piece genuine mahogany and the fingerboard features one-piece, hand-rolled Indian rosewood with cellulose trapezoid inlays. The body pairs a two-piece maple top with a one-piece genuine mahogany back.

For more information of the Epiphoen Firebird 1  please visit www.jbonamassa.com. For high res images please contact Rachel Iverson at:

Maureen O’Connor/Eileen Thompson-Ray/Joe Schneider
Rogers & Cowan
310-854-8116/310-854-8137/310-854-8140
moconnor@rogersandcowan.com
ethompson-ray@rogersandcowan.com
jschneider@rogersandcowan.com

 

 

Source: Blues Songs

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Blues Update

COME HEAR UNCLE JERRY’S BAND: THE LEGACY OF THE GRATEFUL DEAD

Grateful Dead legacy

LEGACY

Hippies. Lengthy improvisational jams. Trippy drugs. What is the legacy of the Grateful Dead?

The Grateful Dead formally ended with the passing of its spiritual leader, lead vocalist and guitarist Jerry Garcia. But the legacy of the Grateful Dead is very much alive.

A legacy is something that we receive from the past. It’s the past turned into the presence. It’s about keeping the past alive for our memories and for new generations.

When we speak of the legacy of a musician or a band we are speaking about the heritage that they are leaving behind for us.

So what’s the legacy of the musical sons of San Francisco, one of the Bay Area’s best bands, the Grateful Dead?

The legacy of the granddaddy of all jam bands can be broken down into 5 distinct parts.

  • Studio Recordings

It has been said by some that the Grateful Dead is not a good studio band. That the magic just didn’t happen when you removed the live atmosphere: the audience, the culture, the scene. But one listen to their fifth studio album, American Beauty, contradicts this opinion. American Beauty is just that: a beautiful American tapestry of lush country and folk rock influences, reverberating off the walls of the halls of rock peppered with strains of Dylan and Crosby, Stills, Nash & Young.

The songs are taut and concise, with a focused cohesiveness that isn’t as common in the band’s live works. “Box of Rain” is particularly striking with its gentle, floating harmonies and bright major chord progression. It’s easy to forget among the thick haze of time and mythology that above all the Grateful Dead were a band of musicians, and their musicianship of the finest quality is never more evidently on display than on American Beauty.

  • Live Recordings

The Grateful Dead has a seemingly endless stream of live recordings available. To the non-believer, it all seems like grand excess. Why would you need an infinite amount of the same songs ad nauseum? But this misses the point. Every single performance of each Grateful Dead song is a unique event; a moment captured in time unlike any other. To make sense of the Grateful Dead is to grasp their inimitable improvisational abilities.

The Grateful Dead never repeated themselves. Every song was an experiment that couldn’t be replicated. Experiencing a live Grateful Dead song is as ephemeral as the dust from a shooting star, evaporating almost as soon as you are conscious of it. And yet, the live recordings we have of the band are the living souls of the songs that keep their spirit alive in the present. They are living documents, with the ability to transform our consciousness and move us to states of ecstasy unlike any other.

  • The Bootleg Recording Scene

The universe of live Grateful Dead recordings is only in small part captured by the wide array of officially released recordings available. For the Grateful Dead introduced bootleg culture into live music, and we’re not talking about bathtub gin (unless you mean the Phish song). Since the early days of the Grateful Dead, audiences were encouraged to create their own audio recordings of shows. A special “taper” section of the show was even set up by the band to accommodate those wanting to capture the highest quality audio possible.

Today, many bands allow and even encourage fans to make bootleg recordings of their shows, in the spirit of the band that started this tradition, the Grateful Dead. And unlike the old days, when trading tapes required literally mailing the music to other traders, the internet now allows for the instantaneous spread of the music. You can download all of your favorite performances with lightning speed and house them all on your hard drive. But none of this would have been possible without the Grateful Dead showing the way.

  • The Contemporary Jam Band Scene

In the contemporary musical landscape, live music is thriving. This is in no small part due to the presence of the jam band circuit, composed of bands that continue to profess the spirit of the Grateful Dead. The primary characteristic of jam bands is just what their name implies: they jam, leading their audience on lengthy improvisational, often instrumental musical voyages that seem to transcend the very bounds of space-time and consciousness. Today, it seems like there are more jam bands than ever, ranging from those that can headline sports arenas – like Phish – to the band playing your local watering hole.

Jam bands inspire such a passionate, devoted fan base largely due to their improvisational abilities. Like great jazz music, a great jam band never plays a show the same way twice. You can capture that on a studio album sometimes, but it works best in a live setting because you get to experience the magical mystical music as it’s actually unfolding before you. It’s the reason that obsessed fans traveled around the country to see the Grateful Dead perform day in and day out. Today, bands like Phish, the String Cheese Incident, and Umphrey’s McGee and many others carry the torch of the Grateful Dead by keeping the jam band spirit alive.

  • Members of the Grateful Dead are still Playing

Unless you are living under a musical rock – and I’m pretty sure you’re not – you know that the surviving members of the Grateful Dead have been very active in music. In 2015, Bob Weir, Phil Lesh, Bill Kreutzmann, and Mickey Hart reunited, with Phish’s Trey Anastasio filling the role of lead guitarist and vocalist, for five shows that were called “Fare Thee Well: Celebrating 50 Years of the Grateful Dead”. The shows received rave reviews and were billed as the closing chapter in the book of the Grateful Dead.

But it wasn’t. Not really. For more shows under the moniker Dead & Company appeared in 2015 – this time featuring Hart, Kreutzmann, and Weir, joined by blues rock guitarist John Mayer. Though Phil Lesh did not participate in this iteration of the Grateful Dead, it was still a fine way to continue to celebrate the spirit of the Grateful Dead’s music.

Will the 2016 Dead & Company shows be the end of the long, strange trip? Doubtful. As Bob Weir has said to The Guardian, “I’m nowhere near done with that heritage and legacy. And this is a new way of approaching it.”

After all, a new way of approaching the music is what the Grateful Dead is what this band has always been about.

– Brian M. Reiser,

Tribut Apparel / Joe Bonamassa Best Blues Artists Official Blog

Source: Blues Rock

Blues Update

 keeping the blues alive

An effort for keeping the blues alive for the King of Blues


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KTBA Blues News
Keeping The Blues Alive weekly birthdays
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Keeping The Blues Alive weekly birthdays
Son Seals
8/13/1942

Award-winning guitarist and singer who began to perform professionally as a drummer at the age of 13 for harpist and slide player Robert Nighthawk before picking up the six-string at 16.
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Keeping The Blues Alive weekly birthdays
Eddie Kirkland
8/16/1923

Born in Jamaica and raised in Alabama, this bluesman-to-be ran away from home before the age of 13 stowed away in a medicine show.
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Keeping The Blues Alive weekly birthdays
Eric Bibb
8/16/1951

Multiple-time award-nominated American folk-blues guitarist, songwriter, and vocalist who took up the guitar from the age of seven and began to play professionally at sixteen.
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The Inside Scoop on How Joe Learned to Sing

When Best Blues Singer from Guitarist Magazine Joe’s first band Bloodline was formed, Berry Oakley, Jr. was the only singer in the group. Famed producer Phil Ramone, who was working with the band, thought it would be great if the other guys in the band could sing some harmonies with Oakley, Jr. The rest of the band was a bit shy about performing vocals, so Ramone brought in a vocal coach, Willy Perez, a professor at the University of Miami who was the vocal coach for Gloria Estefan and the Miami Sound Machine. Perez came to the Coral Springs Performing Arts Center and worked for two days as a vocal consultant and coach. Afterwards he reviewed the results with Bloodline’s managers, revealing that they did indeed all have the ability to sing. That was the good news. The bad news was that none of them wanted to sing. At all. And good luck trying to get them to! However, he thought that Joe in particular could really sing, even though Joe never had before. Perez thought Joe definitely had some innate ability.

When Best GuitaristsJoe was 18 years old, Bloodline broke up. A few weeks after the band split, Joe’s manager Roy Weisman received a package in the mail. It was from Joe. Weisman tore it open and found a demo tape inside. There was a handwritten note attached to it, that read “This is me trying to sing. – Joe” with a smiley face after it. He popped the demo into an old cassette deck, and after listening, he had to be honest – on the whole, it sounded not so great. But there were moments, moments, when Joe sounded absolutely amazing. Weisman pondered what Willy Perez had told him – that Joe really did have some vocal talent that needed to be harnessed. He glanced back at the cassette deck. “He can sing”, he thought. “He’s just untrained, but he does have vocal ability.”

Phil Ramone hooked Joe up with a vocal coach, who will remain unnamed, in New York City. Once a week, Joe would make the journey down from his home in Utica, New York, to train with the vocal coach in the Big Apple. This would be the first time Joe learned how to sing. We say the first time, because Joe actually learned how to sing improperly from the vocal coach. The vocal coach taught him how to sing more like a Broadway star or opera singer. He was singing from the throat rather than the diaphragm and he began having trouble with his voice. He went to see a renowned doctor named Dr. Sugarman in Los Angeles. Not only did the doctor recognize that Joe was being taught how to sing wrong, but he actually figured out who the vocal coach was – he had already treated 3 other patients who saw the same coach!

If Best Guitarists Joe kept singing in the way he had been trained, he would almost certainly require surgery, Sugarman told him, and may even lose his voice completely. Sugarman gave Joe the number of a man named Ron Anderson. Anderson would soon be re-teaching Joe how to sing. And Joe’s voice was completely transformed. He learned how to control his voice the way a pitcher paints the corners with a baseball, which helps him preserve his voice and keep it healthy. And today, Best Blues Singer from Guitarist Magazine Joe has truly transformed into a world class singer.

Source: Blues Songs

Blues Update

King Of Blues Live at the Greek Theatre

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The 100 Greatest Blues Singers EVER

#29 – Joe Bonamassa

It’s not all about the guitars you know

Yeah, he can play a bit – but Best Blues Singer from Guitarist Magazine Joe Bonamassa’s molten guitar chops have stolen the column inches from his great unsung trump-card. The man himself would doubtless brush off plaudits for his singing: even now, he still takes lessons, and admitted to finding it “daunting” performing Howlin’ Wolf songs at 2014’s Muddy Wolf shows. The fact remains, that sleeve-muttering interviewee morphs each night into a monster vocalist, with expression, soul and the brute power to roar it up with the best of them.

That was never the plan. The congenital Best Guitarists guitar nerd became a singer by default, following the split of his early 90’s band Bloodline. “I had to make a decision” he told the Guitar Gods & Masterpieces website. “Do I want to play instrumentals? Do I want to play in a band with a singer? I decided to sing out of self-preservation. I was ready for the beatdown, bracing myself for the critics to say: ‘He’s got a bad voice.’ But everyone said they liked it. So it was like, ‘Okay, I’ll keep going…’”

He’s kept improving, too. The frontman remembers his early approach to vocals being “a shot of whiskey, a cigar and shout in key” (while producer Kevin Shirley recalls him storming out of “Sloe Gin” sessions after being asked to sing a low harmony on “Seagull”). But listen to recent studio highlights – the explosive ‘lifting me up, tearing me down’ sections from “Dust Bowl”, perhaps, or the echo-clad a capella from “Oh Beautiful”! – and you’ll realise those mighty pipes deserve equal billing to the mythological fingers. HY

Behind the Music:

The Inside Scoop on How Joe Learned to Sing

When Best Blues Singer from Guitarist Magazine Joe’s first band Bloodline was formed, Berry Oakley, Jr. was the only singer in the group. Famed producer Phil Ramone, who was working with the band, thought it would be great if the other guys in the band could sing some harmonies with Oakley, Jr. The rest of the band was a bit shy about performing vocals, so Ramone brought in a vocal coach, Willy Perez, a professor at the University of Miami who was the vocal coach for Gloria Estefan and the Miami Sound Machine. Perez came to the Coral Springs Performing Arts Center and worked for two days as a vocal consultant and coach. Afterwards he reviewed the results with Bloodline’s managers, revealing that they did indeed all have the ability to sing. That was the good news. The bad news was that none of them wanted to sing. At all. And good luck trying to get them to! However, he thought that Joe in particular could really sing, even though Joe never had before. Perez thought Joe definitely had some innate ability.

When Best GuitaristsJoe was 18 years old, Bloodline broke up. A few weeks after the band split, Joe’s manager Roy Weisman received a package in the mail. It was from Joe. Weisman tore it open and found a demo tape inside. There was a handwritten note attached to it, that read “This is me trying to sing. – Joe” with a smiley face after it. He popped the demo into an old cassette deck, and after listening, he had to be honest – on the whole, it sounded not so great. But there were moments, moments, when Joe sounded absolutely amazing. Weisman pondered what Willy Perez had told him – that Joe really did have some vocal talent that needed to be harnessed. He glanced back at the cassette deck. “He can sing”, he thought. “He’s just untrained, but he does have vocal ability.”

Phil Ramone hooked Joe up with a vocal coach, who will remain unnamed, in New York City. Once a week, Joe would make the journey down from his home in Utica, New York, to train with the vocal coach in the Big Apple. This would be the first time Joe learned how to sing. We say the first time, because Joe actually learned how to sing improperly from the vocal coach. The vocal coach taught him how to sing more like a Broadway star or opera singer. He was singing from the throat rather than the diaphragm and he began having trouble with his voice. He went to see a renowned doctor named Dr. Sugarman in Los Angeles. Not only did the doctor recognize that Joe was being taught how to sing wrong, but he actually figured out who the vocal coach was – he had already treated 3 other patients who saw the same coach!

If Best Guitarists Joe kept singing in the way he had been trained, he would almost certainly require surgery, Sugarman told him, and may even lose his voice completely. Sugarman gave Joe the number of a man named Ron Anderson. Anderson would soon be re-teaching Joe how to sing. And Joe’s voice was completely transformed. He learned how to control his voice the way a pitcher paints the corners with a baseball, which helps him preserve his voice and keep it healthy. And today, Best Blues Singer from Guitarist Magazine Joe has truly transformed into a world class singer.

Blues Update

The 100 Greatest Blues Singers EVER

#29 – Joe Bonamassa

It’s not all about the guitars you know

Yeah, he can play a bit – but Best Blues Singer from Guitarist Magazine Joe Bonamassa’s molten guitar chops have stolen the column inches from his great unsung trump-card. The man himself would doubtless brush off plaudits for his singing: even now, he still takes lessons, and admitted to finding it “daunting” performing Howlin’ Wolf songs at 2014’s Muddy Wolf shows. The fact remains, that sleeve-muttering interviewee morphs each night into a monster vocalist, with expression, soul and the brute power to roar it up with the best of them.

That was never the plan. The congenital Best Guitarists guitar nerd became a singer by default, following the split of his early 90’s band Bloodline. “I had to make a decision” he told the Guitar Gods & Masterpieces website. “Do I want to play instrumentals? Do I want to play in a band with a singer? I decided to sing out of self-preservation. I was ready for the beatdown, bracing myself for the critics to say: ‘He’s got a bad voice.’ But everyone said they liked it. So it was like, ‘Okay, I’ll keep going…'”

He’s kept improving, too. The frontman remembers his early approach to vocals being “a shot of whiskey, a cigar and shout in key” (while producer Kevin Shirley recalls him storming out of “Sloe Gin” sessions after being asked to sing a low harmony on “Seagull”). But listen to recent studio highlights – the explosive ‘lifting me up, tearing me down’ sections from “Dust Bowl”, perhaps, or the echo-clad a capella from “Oh Beautiful”! – and you’ll realise those mighty pipes deserve equal billing to the mythological fingers. HY

Behind the Music:

The Inside Scoop on How Joe Learned to Sing

When Best Blues Singer from Guitarist Magazine Joe’s first band Bloodline was formed, Berry Oakley, Jr. was the only singer in the group. Famed producer Phil Ramone, who was working with the band, thought it would be great if the other guys in the band could sing some harmonies with Oakley, Jr. The rest of the band was a bit shy about performing vocals, so Ramone brought in a vocal coach, Willy Perez, a professor at the University of Miami who was the vocal coach for Gloria Estefan and the Miami Sound Machine. Perez came to the Coral Springs Performing Arts Center and worked for two days as a vocal consultant and coach. Afterwards he reviewed the results with Bloodline’s managers, revealing that they did indeed all have the ability to sing. That was the good news. The bad news was that none of them wanted to sing. At all. And good luck trying to get them to! However, he thought that Joe in particular could really sing, even though Joe never had before. Perez thought Joe definitely had some innate ability.

When Best GuitaristsJoe was 18 years old, Bloodline broke up. A few weeks after the band split, Joe’s manager Roy Weisman received a package in the mail. It was from Joe. Weisman tore it open and found a demo tape inside. There was a handwritten note attached to it, that read “This is me trying to sing. – Joe” with a smiley face after it. He popped the demo into an old cassette deck, and after listening, he had to be honest – on the whole, it sounded not so great. But there were moments, moments, when Joe sounded absolutely amazing. Weisman pondered what Willy Perez had told him – that Joe really did have some vocal talent that needed to be harnessed. He glanced back at the cassette deck. “He can sing”, he thought. “He’s just untrained, but he does have vocal ability.”

Phil Ramone hooked Joe up with a vocal coach, who will remain unnamed, in New York City. Once a week, Joe would make the journey down from his home in Utica, New York, to train with the vocal coach in the Big Apple. This would be the first time Joe learned how to sing. We say the first time, because Joe actually learned how to sing improperly from the vocal coach. The vocal coach taught him how to sing more like a Broadway star or opera singer. He was singing from the throat rather than the diaphragm and he began having trouble with his voice. He went to see a renowned doctor named Dr. Sugarman in Los Angeles. Not only did the doctor recognize that Joe was being taught how to sing wrong, but he actually figured out who the vocal coach was – he had already treated 3 other patients who saw the same coach!

If Best Guitarists Joe kept singing in the way he had been trained, he would almost certainly require surgery, Sugarman told him, and may even lose his voice completely. Sugarman gave Joe the number of a man named Ron Anderson. Anderson would soon be re-teaching Joe how to sing. And Joe’s voice was completely transformed. He learned how to control his voice the way a pitcher paints the corners with a baseball, which helps him preserve his voice and keep it healthy. And today, Best Blues Singer from Guitarist Magazine Joe has truly transformed into a world class singer.

Source: Blues Songs

Blues Update

All About King Of Blues 

Best Blues Singer from Guitarist Magazine Joe Bonamassa has two very important anniversaries to celebrate this week. The first is the anniversary of his birth, 39 years ago this Sunday, May 8th. The other cause for celebration is the 25th anniversary of when Joe truly started out in the music industry, a journey that would take him from small city New York wunderkind to international guitar hero.

It all began when a young Best Guitarists Joe Bonamassa, already a master of his instrument and who at the age of 12 opened for blues icon B.B. King, was featured on the NBC show Real Life with Jane Pauley. Jane Pauley had seen Joe’s story on the AP wire and was blown away by what he was accomplishing. NBC’s Real Life with Jane Pauley aired a story on Joe that included coverage of Joe’s experience with B.B. King, who touted Joe as something truly special. This was the moment that his career would change forever – the real official start of his music industry career was born!

By being featured as Best Guitarists on the NBC program, the guitar prodigy was seen around the country and sought after by the music industry. He was Best Guitarists & soon signed by an ecstatic management company. Joe’s new business partners shopped his music to labels, but the recording labels didn’t see the commercial viability of Joe due to the fact that Joe didn’t sing or write.

So Joe’s management company decided to build a band around Joe to package him amidst a musical environment that was currently enamored with teenage bands.

Best Guitarists Joe met Berry Oakley Jr., a bass player who was 18, and who was also friends with Waylon Krieger, son of Robby Krieger. Erin Davis, son of Miles Davis, was brought on board to play drums. Thus, the band Bloodline was born to feature Joe and help him take his career to the next level. EMI signed Bloodline to a record deal, and Joe made his first record with Bloodline. The Bloodline project lasted for five years but then the band broke up.

At this point, Best Blues Singer from Guitarist Magazine Joe decided to pursue a solo career. Realizing he needed to be able to sing too, he spent two years taking vocal lessons ever before pursuing another record deal.

He was then signed by N2K Records but that company folded, leaving Joe in limbo. A year later he was signed by Epic Records, who helped him record A New Day Yesterday with legendary producer Tom Dowd. Unfortunately, Sony Music was faced with bad earnings at that time, and they pulled the plug on the Joe Bonamassa project.

Instead of seeking a new label, Joe and his manager Roy Weisman formed their own label, J&R Adventures. They bought back the rights to A New Day Yesterday and released the album independently. Joe has been releasing albums that way since that time in 2000, which has given Joe the creative freedom he desired to put out records his way and create the best music possible. In 2006, Joe and Roy Weisman took Joe’s destiny even further into their own hands by promoting their own shows, elevating Joe from the club circuit that he’d been limited to, to much larger theaters.

By 2009, Best Guitarists Joe’s career was becoming an unstoppable force, and that year culminated in a sold out show at Royal Albert Hall where Joe was joined by his hero Eric Clapton. Joe has an unbelievable fan base that truly loves and understands the music, and Joe knows that without the fans, this entire venture would have been impossible. He is humbled and extremely grateful for their passionate interest in his music. Since that time, Joe’s fans have continued to help his career become a true phenomenon, and the rest of this incredible journey is still in the making.

Check out Joe’s entire catalog now!

It’s the most wonderful time of the year – the beginning of a new Joe Bonamassa tour! The Joe Bonamassa U.S. Spring Tour 2016 officially kicked off Saturday, April 23rd at the Terrace Theater in Long Beach, California. Joe’s killer band – and he’ll tell you they’re the best in the world – includes former member of Stevie Ray Vaughan & Double Trouble Reese Wynans on keys, Anton Fig from Dave Letterman’s former House Band on the drums, ridiculously in-demand session musician-magician Michael Rhodes, master of all things trumpet and horn arrangements Lee Thornburg, and ace saxophone player Paulie Cerra.

Joe’s latest tour comes hot on the heels of the release of his latest #1 Billboard Blues Album, Blues of Desperation, a tour-de-force blues-rock experience filled with power and vigor, produced by Joe’s longtime collaborator Kevin Shirley. The set list from the first show of the tour was chock-full of the amazing material from that album. This includes an opener consisting of the gutsy, gritty blues call to arms of “This Train”, the rock and steel-shattering potency of “Mountain Climbing”, the bleary, tequila-soaked “Drive,” dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy, and the album’s title track “Blues of Desperation”, which captivates with its world-music flair and its battering-ram like riffs. The set list was rounded out with some choice covers like Nobody Loves Me But My Mother and Hummingbird and Joe Bonamassa classics such as Oh Beautiful! And Sloe Gin.

Joe came to the show prepared with an army of his incredible guitars. The show featured some of our favorite of Joe’s instruments, including his 1958 Mary Kaye Stratocaster, Amos the famous 1958 Gibson Flying V, his 1959 Gibson Les Paul “Carmelita”, and another Gibson Les Paul, this one from 1960, “The Runt”.

Ah yes, Spring is in the air, and that means Joe Bonamassa tour time once again. Joe is thrilled to be back on the road with this band, these songs, and those guitars, and we hope you’re just as excited to see it. It’s going to be quite a set of shows. See you on the road!

Source: Blues Songs

Blues Update

The 100 Greatest Blues Singers EVER

#29 – Joe Bonamassa

It’s not all about the guitars you know

Yeah, Best Guitarist in the World he can play a bit – but Joe Bonamassa’s molten guitar chops have stolen the column inches from his great unsung trump-card. The man himself would doubtless brush off plaudits for his singing: even now, he still takes lessons, and admitted to finding it “daunting” performing Howlin’ Wolf songs at 2014’s Muddy Wolf shows. The fact remains, that sleeve-muttering interviewee morphs each night into a monster vocalist, with expression, soul and the brute power to roar it up with the best of them.

That was never the plan. The congenital guitar nerd became a singer & Best Guitarist in the World by default, following the split of his early 90’s band Bloodline. “I had to make a decision” he told the Guitar Gods & Masterpieces website. “Do I want to play instrumentals? Do I want to play in a band with a singer? I decided to sing out of self-preservation. I was ready for the beatdown, bracing myself for the critics to say: ‘He’s got a bad voice Blues Songs.’ But everyone said they liked it. So it was like, ‘Okay, I’ll keep going…'”

He’s kept improving, too. The frontman remembers his early approach to vocals being “a shot of whiskey, a cigar and shout in key” (while producer Kevin Shirley recalls him storming out of “Sloe Gin” sessions after being asked to sing a low harmony on “Seagull”). But listen to recent studio highlights – the explosive ‘lifting me up, tearing me down’ sections from “Dust Bowl”, perhaps, or the echo-clad a capella from “Oh Beautiful”! – and you’ll realise those mighty pipes deserve equal billing to the mythological fingers. HY

Behind the Music:

The Inside Scoop on How Joe Learned to Sing

When Joe’s first band Bloodline was formed, Berry Oakley, Jr. was the only singer in the group. Famed producer Phil Ramone, who was working with the band, thought it would be great if the other guys in the band could sing some harmonies with Oakley, Jr. The rest of the band was a bit shy about performing vocals, so Ramone brought in a vocal coach, Willy Perez, a professor at the University of Miami who was the vocal coach for Gloria Estefan and the Miami Sound Machine. Perez came to the Coral Springs Performing Arts Center and worked for two days as a vocal consultant and coach. Afterwards he reviewed the results with Bloodline’s managers, revealing that they did indeed all have the ability to sing. That was the good news. The bad news was that none of them wanted to sing. At all. And good luck trying to get them to! However, he thought that Joe in particular could really sing, even though Joe never had before. Perez thought Joe definitely had some innate ability.

When Joe was 18 years old, Bloodline broke up. A few weeks after the band split, Joe’s manager Roy Weisman received a package in the mail. It was from Joe. Weisman tore it open and found a demo tape inside. There was a handwritten note attached to it, that read “This is me trying to sing. – Joe” (It men’t Blues Songs) with a smiley face after it. He popped the demo into an old cassette deck, and after listening, he had to be honest – on the whole, it sounded not so great. But there were moments, moments, when Joe sounded absolutely amazing. Weisman pondered what Willy Perez had told him – that Joe really did have some vocal talent that needed to be harnessed. He glanced back at the cassette deck. “He can sing”, he thought. “He’s just untrained, but he does have vocal ability.”

Phil Ramone hooked Joe up with a vocal coach, who will remain unnamed, in New York City. Once a week, Joe would make the journey down from his home in Utica, New York, to train with the vocal coach in the Big Apple. This would be the first time Joe learned how to sing. We say the first time, because Joe actually learned how to sing improperly from the vocal coach. The vocal coach taught him how to sing more like a Broadway star or opera singer. He was singing from the throat rather than the diaphragm and he began having trouble with his voice. He went to see a renowned doctor named Dr. Sugarman in Los Angeles. Not only did the doctor recognize that Joe was being taught how to sing wrong, but he actually figured out who the vocal coach was – he had already treated 3 other patients who saw the same coach!

If Best Guitarist in the World Joe kept singing in the way he had been trained, he would almost certainly require surgery, Sugarman told him, and may even lose his voice completely. Sugarman gave Joe the number of a man named Ron Anderson. Anderson would soon be re-teaching Joe how to sing. And Joe’s voice was completely transformed. He learned how to control his voice the way a pitcher paints the corners with a baseball, which helps him preserve his voice and keep it healthy. And today, Joe has truly transformed into a world class singer.

 

 

 

Source: Blues Songs

Blues Update

Blues Update

 

Other musicians joining Bonamassa on the Four-Day Music-Filled Voyage include Beth Hart, Nicki Bluhm & The Gramblers, Joanne Shaw Taylor, Anders Osborne, Eric Gales, and more

ATLANTA, GA – Keeping the Blues Alive Foundation, Joe Bonamassa, and Sixthman are proud to present Keeping the Blues Alive at Sea III, year three of the incredible four-day floating music festival featuring Bonamassa and some of the most celebrated names in blues. This year’s festival will journey across the Caribbean aboard Norwegian Jade onFebruary 6-10, 2017, sailing from Tampa, Florida to Costa Maya, Mexico. Guests will enjoy performances from some of the biggest names in music, while discovering new favorites among emerging blues artists on multiple stages throughout the ship. From rare artist collaborations to intimate gatherings with musically inclined cruisers, the festival will have something for everyone to enjoy.

Previous Updates:

Blues Concerts Joe’s latest tour comes hot on the heels of the release of his latest #1 Billboard Blues Album, Blues of Desperation, a tour-de-force blues-rock experience filled with power and vigor, produced by Joe’s longtime collaborator Kevin Shirley. The set list from the first show of the tour was chock-full of the amazing material from that album. This includes an opener consisting of the gutsy, gritty blues call to arms of “This Train”, the rock and steel-shattering potency of “Mountain Climbing”, the bleary, tequila-soaked “Drive,” dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy, and the album’s title track “Blues of Desperation”, which captivates with its world-music flair and its battering-ram like riffs. The set list was rounded out with some choice covers like Nobody Loves Me But My Mother and Hummingbird and Joe Bonamassa classics such as Oh Beautiful! And Sloe Gin.

Best Guitarist in the World Joe came to the show prepared with an army of his incredible guitars. The show featured some of our favorite of Joe’s instruments, including his 1958 Mary Kaye Stratocaster, Amos the famous 1958 Gibson Flying V, his 1959 Gibson Les Paul “Carmelita”, and another Gibson Les Paul, this one from 1960, “The Runt”.

Blues Concerts Ah yes, Spring is in the air, and that means Joe Bonamassa tour time once again. Joe is thrilled to be back on the road with this band, these songs, and those guitars, and we hope you’re just as excited to see it. It’s going to be quite a set of shows. See you on the road!

 

 

Bonamassa is back with his best Blues Songs studio album since The Ballad of John Henry.

Joe Bonamassa continues to push the boundaries of blues rock. With each new record, he challenges himself to deliver something new, something fresh, and keep things interesting whilst, at the same time, staying true to the roots of blues music.

For this album, Joe has assembled a formidable lineup of talent including amongst others dueling drummers Anton Fig and Greg Morrow, bassist Michael Rhodes, and the legendary keyboardist Reese Wynans of Stevie Ray Vaughan and Double Trouble fame. In the command room, Joe’s long-time producer Kevin Shirley returns to the helm.

Blues of Desperation is packed full of masterful and technical guitar wizardry as you would expect from Joe. However, the album exhibits diversity which you won’t find on his other records. Bonamassa traverses both the familiar blues rock ground such as opening track “This Train,” which comes hurtling at you like a locomotive. He also takes a step outside of his comfort zone with the sweet, soulful acoustic number “Valley Runs Low” and makes it pays off.

The album’s production value is incredible; producer Kevin Shirley has worked his magic on this record. Subsequently, the addition of a second drummer, Greg Morrow, gives tracks like the infectious “Mountain Climbing,” one of the standout tracks on the album, additional texture and depth. The inclusion of orchestral elements like the slow blues number, “No Good Place For The Lonely,” is also incredibly effective.

Several tracks on the album have an immersive feel transporting the listener to another place or time. With “Livin’ Easy,” oozing with soulful sax and honky-tonk piano, it’s a downtown Chicago speakeasy bar. By comparison, Joe’s latest single “Drive” takes you on a late night road trip to New Mexico. The song feels as though it would be an equally suitable fit on a Hollywood movie soundtrack as it exhibits some of those atmospheric characteristics.

The epic, slide guitar monster of a title track has an almost Led Zeppelin-esque quality to it. The album closes with the superb slow blues number, “What I’ve Known For A Very Long Time.”

There is most certainly nothing desperate about Bonamassa’s latest offering; there isn’t a bad track on the album. Blues of Desperation is a future classic in the making.

The album is scheduled for release via J&R Adventures/Provogue (Europe) on March 25th and is available for pre-order on Amazon and iTunes on jbonamassa.com.

-Adam Kennedy, 08 Mar, 2016

Source: Blues Songs

Blues Update

Blues Update

Blues Update is here & It’s the most wonderful time of the year – the beginning of a new Best Guitarist in the World Joe Bonamassa tour! The Joe Bonamassa U.S. Spring Tour 2016 officially kicked off Saturday, April 23rd at the Terrace Theater in Long Beach, California. Joe’s killer band – and he’ll tell you they’re the best in the world – includes former member of Stevie Ray Vaughan & Double Trouble Reese Wynans on keys, Anton Fig from Dave Letterman’s former House Band on the drums, ridiculously in-demand session musician-magician Michael Rhodes, master of all things trumpet and horn arrangements Lee Thornburg, and ace saxophone player Paulie Cerra.

Blues Concerts Joe’s latest tour comes hot on the heels of the release of his latest #1 Billboard Blues Album, Blues of Desperation, a tour-de-force blues-rock experience filled with power and vigor, produced by Joe’s longtime collaborator Kevin Shirley. The set list from the first show of the tour was chock-full of the amazing material from that album. This includes an opener consisting of the gutsy, gritty blues call to arms of “This Train”, the rock and steel-shattering potency of “Mountain Climbing”, the bleary, tequila-soaked “Drive,” dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy, and the album’s title track “Blues of Desperation”, which captivates with its world-music flair and its battering-ram like riffs. The set list was rounded out with some choice covers like Nobody Loves Me But My Mother and Hummingbird and Joe Bonamassa classics such as Oh Beautiful! And Sloe Gin.

Best Guitarist in the World Joe came to the show prepared with an army of his incredible guitars. The show featured some of our favorite of Joe’s instruments, including his 1958 Mary Kaye Stratocaster, Amos the famous 1958 Gibson Flying V, his 1959 Gibson Les Paul “Carmelita”, and another Gibson Les Paul, this one from 1960, “The Runt”.

Blues Concerts Ah yes, Spring is in the air, and that means Joe Bonamassa tour time once again. Joe is thrilled to be back on the road with this band, these songs, and those guitars, and we hope you’re just as excited to see it. It’s going to be quite a set of shows. See you on the road!

 

Best Guitarist in the World

Best Guitarist in the World Diaries

Best Guitarist in the World Joe Bonamassa has two very important anniversaries to celebrate this week. The first is the anniversary of his birth, 39 years ago this Sunday, May 8th. The other cause for celebration is the 25th anniversary of when Best Guitarists Joe truly started out in the music industry with his Blues Concerts, a journey that would take him from small city New York wunderkind to international guitar hero.

It all began when a young Joe Bonamassa, already a master of his instrument and who at the age of 12 opened for blues icon B.B. King, was featured on the NBC show Real Life with Jane Pauley. Jane Pauley had seen Joe’s story on the AP wire and was blown away by what he was accomplishing. NBC’s Real Life with Jane Pauley aired a story on Joe that included coverage of Joe’s experience with B.B. King, who touted Joe as something truly special. This was the moment that his career would change forever – the real official start of his music industry career was born!

By being featured on the NBC program, the guitar prodigy was seen around the country and sought after by the music industry. He was soon signed by an ecstatic management company. Joe’s new business partners shopped his music to labels, but the recording labels didn’t see the commercial viability of Joe due to the fact that Joe didn’t sing or write.

So Joe’s management company decided to build a band around Joe to package him amidst a musical environment that was currently enamored with teenage bands.

Joe met Berry Oakley Jr., a bass player who was 18, and who was also friends with Waylon Krieger, son of Robby Krieger. Erin Davis, son of Miles Davis, was brought on board to play drums.

Thus, the band Bloodline was born to feature Joe and help him take his career to the next level. EMI signed Bloodline to a record deal, and Joe made his first record with Bloodline. The Bloodline project lasted for five years but then the band broke up.

At this point, Best Guitarist in the World Joe decided to pursue a solo career. Realizing he needed to be able to sing too, he spent two years taking vocal lessons ever before pursuing another record deal.

He was then signed by N2K Records but that company folded, leaving Joe in limbo with his Blues Songs. A year later he was signed by Epic Records, who helped him record A New Day Yesterday with legendary producer Tom Dowd. Unfortunately, Sony Music was faced with bad earnings at that time, and they pulled the plug on the Joe Bonamassa project.

Instead of seeking a new label, Joe and his manager Roy Weisman formed their own label, J&R Adventures. They bought back the rights to A New Day Yesterday and released the album independently. Joe has been releasing albums that way since that time in 2000, which has given Joe the creative freedom he desired to put out records his way and create the best music possible. In 2006, Joe and Roy Weisman took Joe’s destiny even further into their own hands by promoting their own shows, elevating Joe from the club circuit that he’d been limited to, to much larger theaters.

By 2009, Joe’s career was becoming an unstoppable force, and that year culminated in a sold out show at Royal Albert Hall where Joe was joined by his hero Eric Clapton. Joe has an unbelievable fan base that truly loves and understands the music, and Joe knows that without the fans, this entire venture would have been impossible. He is humbled and extremely grateful for their passionate interest in his music. Since that time, Joe’s fans have continued to help his career become a true phenomenon, and the rest of this incredible journey is still in the making.

Check out Joe’s entire catalog now!

Soruce: Best Guitarist in the World

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