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Everything you need to know about JBonamassa

Bonamassa was born in New Hartford, New York. He started playing guitar at age four, encouraged by his father, who was an avid music fan and exposed him to British blues rock records by Eric Clapton and Jeff Beck, greatly inspiring him. At 11 years old Joe was mentored and trained by American guitar legend, Danny Gatton. When he was 12 years old, he had his own band called Smokin’ Joe Bonamassa, which gigged around western New York and Pennsylvania, including cities such as Scranton and Buffalo, but only on weekends since Joe had school on weekdays. Bonamassa played a crimson 1972 Fender Stratocaster he called “Rosie”, which his father had bought in Utica, New York.

Bonamassa opened for B.B. King at approximately 20 shows in 1989.[5] Before he reached 18 years old, Bonamassa was playing in a band called Bloodline with the sons of Miles Davis, Robby Krieger, and Berry Oakley. Although Bloodline did not become a famous act, it attracted some attention to Bonamassa’s guitar chops.
Bonamassa’s debut studio album A New Day Yesterday was released in 2000, and features both original tunes and covers of such artists as Rory Gallagher, Jethro Tull, and Warren Haynes.The album features a guest appearance by Gregg Allman on the tune “If Heartaches Were Nickels” and was produced by Tom Dowd. The album reached number 9 on the Billboard Blues chart.

Between 2002 and 2006, Bonamassa saw three studio albums hit number 1 on the Billboard Blues charts, and all five of his solo studio albums made the top 10.

In 2009 Bonamassa fulfilled one of his childhood dreams by playing at the Royal Albert Hall in London, where Eric Clapton played a duet with him.

Bonamassa’s live album Beacon Theatre–Live from New York was released in 2012. The show featured one of Bonamassa’s musical heroes, Paul Rodgers, formerly of the bands Free and Bad Company, as a guest.

March 26, 2013 saw the release of his live acoustic album An Acoustic Evening at the Vienna Opera House, which was released as a CD/DVD/Blu-ray set.This concert marked the first time Bonamassa played a wholly acoustic show. The acoustic ensemble that performed the show was assembled with the help of Bonamassa’s longtime producer, Kevin Shirley.

The concluding, three-night stand of Bonamassa’s spring 2013 tour occurred at the famous Beacon Theatre in New York City.
Over the summer of 2013, Bonamassa performed four shows in London featuring three different bands and, at one show, a horn section, covering four different sides of his music. Each show had a unique setlist. The shows were recorded for a DVD release and the set of DVDs was released in October, 2013 under the name “Tour de Force.”Joe Bonamassa – Radio City Music Hall
On December 6, 2013, Bonamassa and Beth Hart were nominated for a Grammy Award for their 2013 collaborative album SeeSaw in the Best Blues Album category

Source: King Of Blues

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JOSS STONE UPDATE

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Joss Stone doesn’t want you to inform her she has an excellent voice. She is aware of it. Her fanatics are aware of it. Her band is aware of it. The young R&B singer’s level presence oozes with the self-belief that one would expect from a singer whose expert career started while she become slightly a teenager. She’s shared the level with musical titans like Patti LaBelle, Gladys Knight, Donna summer time, Rod Stewart, Herbie Hancock, James Brown, and Stevie surprise, and yet the list still goes on. Being a girl vocalist together with her talents who can carry out in the kinds of soul, R&B, rock and blues, amongst others, many comparisons to Janis Joplin are inevitable. And that’s honest, but she’s so much greater flexible than the late Joplin became, not to say prettier. but song isn’t a beauty contest, it isn’t any form of contest, although a few human beings, musicians covered, do have a tendency to make it about opposition. I’m looking at you guitar gamers! Best Blues Artists

Joss Stone released her debut album, The Soul periods, in 2003. The album become a compilation of covers often reinterpreted to in shape Stone’s vocal style. the primary unmarried, “Fell In Love With A Boy”, became a remodeling of The White Stripes song, “Fell In Love With A girl”. although I fancy myself a White Stripes fan, her version of the song is extra in keeping with what i would lean closer to for getting my musical restoration. The me from high school could likely say the other, because again then i used to be greater into some thing loud and rebellious than i was clean and soulful, as maximum male young adults are whilst their hormones are raging. Susan Tedeschi became one of the first girl singers I became enamored with. How could you not with a voice like hers. Plus she plays a mean guitar, something I sense the tune enterprise wishes to peer more of. investigate Samantha Fish, Ana Popovic, or Joanne Shaw Taylor for comparable tastes. similar to Tedeschi, Stone wears her coronary heart on her sleeve each time she is performing. Her duet with LeAnn Rimes of the Janis Joplin tune, “Summertime”, or her overall performance with Jeff Beck on American Idol doing the Nina Simone classic, “I positioned A Spell On You” are wonderful examples of a performer who can step up and no longer handiest command the degree, however command the eye of their audience.

by the time of Stone’s 1/3 release, Introducing Joss Stone, launched in 2007, she had started to test with patterns ranging from pop, to funk, to even hip hop. She controlled to get Lauryn Hill to visitor at the track “music”, who hadn’t seemed on anything on account that her solo debut in 1998. This album isn’t as stripped down, neo-soul/R&B as the preceding ones, taking up a slightly greater polished, pop-infused tone. It isn’t too surprising considering by means of this point in her profession, she had received enormous interest in the music industry, and whilst that happens to maximum artists, the tendency is to lead them to greater commercially viable, that’s precisely what I hear in some of the songs. nonetheless, there’s accurate song available, with a few cloth having a retro, 70’s vibe, whilst simultaneously feeling current and sparkling. The track “Head Turner” functions some catchy funk/R&B guitar accompaniment with a quick solo in the direction of the cease that fits proper in with the groove, followed by way of some horn preparations that may’t assist but make one smile and bob the pinnacle.

2012’s The Soul classes Vol. 2 noticed Stone return to her debut format of all covers, while in 2015 she launched the hip hop and reggae encouraged Water in your Soul. i actually would like to see her attempt a file with a blues or Americana roots experience. I think her voice and fashion could suit perfectly with a guitar, bass, and drum trio doing a little moody blues rock tunes. perhaps throw in a few backup singers and a Hammond B3 organ and you’d have a hell of a valid, no longer to mention a notable stay performance. some thing this young, appealing skills makes a decision to pursue, she’s certain to wow her target market with an unending preference to maintain soul song relevant and shifting ahead for future generations to experience.

She is presently on excursion over in Africa, with dates going via might also ninth, before she comes returned to the states on June twenty third to Rochester, new york for the Rochester worldwide Jazz competition. visit JossStone.com for all her upcoming tour dates.

Source: Blues Concerts

Blues Update & Latest News

Blues Update

“The blues is an antipsychotic to hold my people from losing their minds,” she starts. “It commenced with the moans and groans of soreness, the slave roots of all of it.” Then she sings, “There’s a person goin’ ’round takin’ names! There’s a person goin’ ’round takin’ names!” She shoots us a coldblooded appearance. “Even their simplest songs had been coded communications such that we may want to have a communication and the master might in no way be the wiser.” the ones messages didn’t prevent after Emancipation. She croons the chorus of Jimmy Reed’s classic “large Boss man”: “big boss guy, can’t you pay attention to me after I name? / You ain’t so massive, you just tall, that’s just about all.” Redd goes on: “If Jimmy Reed had stated to his boss, ‘I gained’t put up with this, I’m through,’ he could’ve been useless earlier than dark. Jimmy Reed got humans to buy a record where he’s saying some thing he woulda gotten killed for announcing in actual lifestyles. which means the blues is some terrible stuff!” When you talk about Blues then you need to talk about B.B. KING

i get it. The whole room has were given it now. It’s church and theater and records and attesting unexpectedly. And Redd has us inside the palm of her hand.

There’s no question that people revere the blues. Its story is being enshrined in cautious, loving methods at the national Blues Museum in St. Louis and the Grammy Museum Mississippi, both of which opened this spring. The mere lifestyles of these two establishments, even though, increases the question of whether or not the blues at the moment are only a thing of the past. “both in my opinion and professionally I’m worried that the blues will land up a historical track shape, just like Dixieland and massive-band music,” says Robert Santelli, the executive director of the Grammy Museum and the author of several books approximately the blues, including The high-quality of the Blues: The 101 essential Albums. “It’s no longer that the blues is demise. There’s just one of these small minority who embrace it in a manner so one can allow the shape to grow and prosper within the twenty first century. It’s not a track shape that has an easy and bright destiny in twenty first-century the united states.” Blues is all about KING OF THE BLUES

this night on Beale street the blues may be very a lot alive. the road buzzes with track from every direction, and fanatics jump between bars with names like the Rum Boogie Cafe, moist Willie’s and omit Polly’s Soul city Cafe. There’s gumbo, fried chook, ribs and cold beer everywhere. And right now in almost each spot on Beale avenue there’s a stage full of bluesmen and girls doing their issue. Over 2 hundred acts have flown in from around the arena to compete for prize programs that include cash, studio time, and a slew of gigs inclusive of the mythical Rhythm and Blues big smooth Cruise, the Daytona Blues festival, the recent Springs Blues competition, Alonzo’s Memorial Day Picnic and greater. these are potentially recreation-changing prizes for small acts. It’s a extreme competition. Checkout BEST GUITARIST 
One night time, around eleven, I watch my eighth act of the nighttime—Roharpo the Bluesman, an older black guy with long curly hair, a unfastened-becoming tan match, a black T-shirt and a fedora. He’s from a Baton Rouge circle of relatives of gospel and blues musicians, and he’s got a big voice and the bluesman’s weary-but-nevertheless-keepin’-on-keepin’-on look. He stalks the degree, taking his time, working his manner through an energetic “The Blues Is My commercial enterprise,” whilst sweating and roaring.

“The blues is non secular to me,” Roharpo tells me on the sidewalk in a while, peering at me via his rimless glasses. “It’s imagined to address one’s inner self. because the bluesman has skilled sure matters, he must be capable of display that out to the next character. And that man or woman have to be able to experience what the bluesman is throwing back at him. you assert, I recognise about that. I’ve been there.”

From the start, the blues merged the sounds of enslaved human beings with the sounds of their oppressors. “The blues is born out of the a cappella track of Africa and the song that blacks created as slaves, which manifested as subject hollers, blended collectively with the eu folks song they learned from the slave proprietors,” says Bing Futch,­ who won the solo/duo guitar category within the 2016 international Blues undertaking, “as well as a number of the music that became coming out at that time.”

As a track form, the blues has sure awesome features. The melody normally goes up and down a six-note scale. (if you’re starting on a C, that scale would pass C, E flat, F, G flat, G, B flat, C.) The lyrics have a tendency to observe what’s called an AAB sample, with the first line of each verse repeating itself: “the joys is long past, the thrill is long gone away / the joys is gone, the thrill is gone away.” The “B” line normally answers or resolves some thing is inside the “A” line: “you recognize you done me wrong, baby, and also you’ll be sorry someday.”

The blues additionally inspires a selected response in the listener, says Susan Rogers, an accomplice professor on the Berklee university of tune: “Rock arouses and pumps up; it is excessive and rebellious. R&B soothes and often seduces; its lyrics have a tendency to be externally centered. Blues is greater introspective and complicated; its lyrics have a tendency closer to describing one’s internal country.”

in the course of the 20th century, this despair song changed into the sound of the agricultural South. “The blues got here out of the life of battle,” says Barbara Newman, the president and CEO of the Blues basis, a nonprofit that serves as an umbrella for greater than one hundred seventy five blues organizations round the arena. “It got here out of what changed into taking place within the Delta, whether or not it turned into weather or slavery and sharecropper lives that have been hard.” The emancipated slaves who created it had been referred to as “songsters”: visiting musicians who played requirements and new songs. Their track determined its way into juke joints—black-operated institutions in the Southeast u.s.. (The word joog manner rowdy in Gullah, the creole of lowland South Carolina and Georgia.) Legends like Jelly Roll Morton, Ma Rainey and W.C. accessible all stated listening to the tune for the first time round 1902.

The word “blues” first seemed on sheet music in 1908, with the ebook of “I were given the Blues.” The composer, satirically, was a Sicilian-born barber—he later told an interviewer that he got here up with the tune after wandering the levee in New Orleans and listening to “an elderly Negro with a guitar playing three notes.” In 1920, Mamie Smith made the genre’s first vocal recording, a chunk referred to as “loopy Blues.” It sold over 1,000,000 copies in its first 12 months. in the course of the Thirties and ’40s, the folklorist Alan Lomax traveled through the Mississippi Delta, interviewing and recording blues players wherever he should locate them, from church buildings to prisons. a lot of these musicians by no means made some other recording. some, which includes Lead stomach and Muddy Waters, went directly to have large careers. You need to check out BETH HART

even as the music enterprise turned into keen to promote so-known as “race records,” the incentive for plenty artists and listeners became the need to transcend very tough lives. think of “(What Did I Do to Be So) Black and Blue,” composed in 1929 by fats Waller and made well-known by using Louis Armstrong, and, of course, Billie excursion’s haunting 1939 track approximately lynching, “abnormal Fruit.” “that is song made with the aid of any manner necessary,” says Matt Marshall, the publisher of yank Blues Scene mag. “guys frequently mentioned making their first guitar out of baling twine from the side of their residence. talk about wanting to get the tune out of you! consider taking a part of the small area wherein you stay and making it into your device!” by the Nineteen Fifties, Southern oppression was pushing hundreds of thousands of blacks to depart and move to big apple, Chicago, St. Louis and other major towns. As black the us became more urban, the song changed. for lots, it became about electric blues, the form of song made through Howlin’ Wolf, Muddy Waters and Jimmy Reed, all Mississippians who moved to Chicago at some point of the wonderful Migration.

round this time the songs became tamer. Racially charged songs like “strange Fruit” in large part disappeared, as did the racy lyrics. “There had been lots of sexual double-entendre songs that got here out in the ’30s and ’40s,” says Brett Bonner, the editor of living Blues magazine. “those were sung by using African-people for African-American audiences. For the maximum part they have been thinly veiled however you could discover a few virtually filthy stuff—Bull Moose Jackson’s ‘huge Ten Inch file.’ Or ‘allow Me Play with your Poodle’ by using Tampa crimson. lots of that dwindled away as the industry have become more and more privy to a white target audience.” Checkout guitarist magazine

The target audience become, in truth, becoming whiter. all through the civil rights generation, music executives began the use of the term “rhythm & blues” to marketplace “race statistics” to greater Northern, urban, upwardly cellular blacks. earlier than lengthy, black document-consumers have been leaving conventional blues in the back of and moving directly to the soul music of Motown and the funk of James Brown. a collection of white infant boomers took over because the blues’ middle target market.

some of those fans had been musicians themselves, and that they became the stripped-down track into arena rock, entire with prolonged guitar solos. This raised new questions: whilst Led Zeppelin sings “Babe I’m Gonna go away You” or Jack White performs a resonator guitar, can or not it’s referred to as the blues? “all people attracts their own strains on this,” says Bonner. “And in reality they are all fairly fuzzy. For me all of it loops again round to the artist’s ties, or loss of ties, to the lifestyle that created the musical shape.” In truth, while residing Blues founders Jim O’Neal and Amy van Singel released the magazine in 1970, they wrote this into the editorial policy: “The blues via definition was and always could be black American operating-magnificence song.” (Like Bonner, O’Neal and van Singel are white.) Checkout at the same time, Bonner notes that some black artists play up their working-magnificence connections with a purpose to impress white audiences. “Albert King used to wear a three-piece healthy when he played,” Bonner says. “by the point we were given to the Nineties, Albert King showed up in bib overalls. He knew what people wanted to peer and what their picture of the blues become. It was a guy who had strolled in out of the fields.” That rural blues tradition has now not existed for pretty some time. “humans still do blues tourism searching out that existence, that man on the the front porch, picking cotton, coming domestic and picking up his acoustic guitar. however these days inside the Delta that man riding round in the area, he’s got a GPS.” Find out more about Blues at Billboard Blues Joe Bonamassa

Top Blues-Rock Guitarist Joe Bonamassa

Billboard Blues Joe Bonamassa publicizes Glasgow date at sec armadillo on 22 April 2019. Planet rock 48-hour price tag pre-sale Wednesday 29 August 2018 via planetrocktickets.Co.Uk the brand new date has been delivered previously to joe’s 3 night time residency at the royal Albert corridor: 24 – 26 April 2019

Celebrated blues-rock guitarist and singer-songwriter Joe Bonamassa pronounces a return to Glasgow’s sec armadillo on Monday 22nd april 2019. His only scottish date, the live performance will kick off his april 2019 uk tour two days before he performs three consecutive nights at London’s iconic royal albert hall on Wednesday 24th april 2019, Thursday twenty-fifth april 2019 and Friday 26th april.
A forty eight-hour price ticket pre-sale for the glasgow concert begins at http://www.Planetrocktickets.Co.Uk from wednesday twenty ninth august. Tickets cross on widespread sale on Friday thirty first august from http://www.Jbonamassa.Com/excursion-dates and http://www.Ticketmaster.Co.Uk.
The glasgow sec armadillo live performance follows the news of joe’s upcoming studio album “redemption” – launched on friday 21st september thru provogue/mascot label organization in Europe and j&r adventures in north the united states.
The Glasgow sec armadillo and the royal albert hall suggests will characteristic joe acting along a hand-picked institution of world-magnificence musicians playing fabric from joe’s imminent studio album (released in September 2018), his 2016 milestone album “blues of desperation”, plus conventional Bonamassa fan favorites.

“the king of amps is back! It’s far one of the greatest amplifiers ever constructed, if now not the best amplifier ever constructed,” said joe bonamassa.

The brand new model recaptures the extremely good tone, energy and dynamic variety of the authentic. It excels throughout a huge type of genres, live and studio gigs – bringing the tweed ‘fifty-nine dual-amp to brand new gamers and collectors. This re-difficulty is the first time in 60 years that fender has released a “high-powered” tweed twin model on the grounds that its authentic inception.

“the 1959 ‘excessive powered tweed’ twin-amp is one of the most collectible guitar amplifiers of all time,” stated Shane Nicholas, director, product improvement, electronics at fender. “they sound extremely good for almost any form of track, are uncommon, and extraordinarily sought-after by using rock stars and collectors. We are proud to paintings with joe bonamassa at the ‘fifty nine dual-amp jb edition, as he is not best a tremendous guitarist, however a fanatic collector of fender guitars, memorabilia and amps – which include the tweed dual models he started appearing with several years in the past.”

Designed and hand-crafted to Best Guitarist in the World Bonamassa’s specs in corona, calif., the amp’s key functions encompass: a classic eighty-watt fender 5f8a circuit; hand-stressed out eyelet board and fender vintage-fashion “yellow” paper-foil-resin tone capacitors for unique tweed-generation tone and nuance; 3 premium 12ax7 preamp tubes; a quartet of 6l6 output tubes that are matched and rated for excessive output; an inner bias pot; a 5ar4 rectifier tube; brilliant and everyday channels with high- and occasional-benefit inputs; custom mercury magnetics™ transformers; as well as two 12″ celestion™ jb85 audio system – one of a kind to this amp – for excessive-powered rock guitar tone.

The amp is housed in a finger-joined solid pine cabinet for resonant tone and functions a gently distressed beauty remedy with a lacquered tweed masking, ’50s-fashion grille cloth and steel-bolstered leather-based strap deal with. Subtle, ’50s cosmetic touches, which include the serial number stamped with the original Fifties tooling and font from the technology, while the bundle.

History Of The Blues

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When you consider the blues, you consider misfortune, betrayal and remorse. You lose your process, you get the blues. Your mate falls out of affection with you, you get the blues. Your canine dies, you get the blues.

At the same time as blues lyrics frequently cope with non-public adversity, the track itself is going a ways past self-pity. The blues is likewise about overcoming tough success, pronouncing what you experience, ridding your self of frustration, letting your hair down, and honestly having amusing. The best blues is visceral, cathartic, and starkly emotional. From unbridled joy to deep unhappiness, no form of track communicates greater proper emotion.

The blues has deep roots in american history, mainly african-american history. The blues originated on southern plantations within the 19th century. Its inventors were slaves, ex-slaves and the descendants of slaves—african-american sharecroppers who sang as they toiled in the cotton and vegetable fields. It’s normally common that the music developed from african spirituals, african chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and country dance music.

The blues grew up in the mississippi delta just upriver from new orleans, the birthplace of jazz. Blues and jazz have usually motivated each different, and that they still have interaction in infinite approaches today.

In contrast to jazz, the blues failed to unfold out appreciably from the south to the midwest till the Nineteen Thirties and ’40s. As soon as the delta blues made their way up the mississippi to city areas, the tune advanced into electrified chicago blues, other nearby blues styles, and various jazz-blues hybrids. A decade or so later the blues gave delivery to rhythm ‘n blues and rock ‘n roll.

No single individual invented the blues, however many human beings claimed to have determined the genre. As an example, minstrel show bandleader w.C. Handy insisted that the blues were discovered to him in 1903 with the aid of an itinerant avenue guitarist at a educate station in tutwiler, mississippi.

At some stage in the middle to overdue 1800s, the deep south become home to masses of seminal bluesmen who helped to form the track. Regrettably, an awful lot of this authentic song accompanied those sharecroppers to their graves. However the legacy of those earliest blues pioneers can still be heard in Nineteen Twenties and ’30s recordings from mississippi, louisiana, texas, georgia and different southern states. This track is not very a ways removed from the field hollers and paintings songs of the slaves and sharecroppers. Many of the earliest blues musicians integrated the blues into a much wider repertoire that covered conventional folk songs, vaudeville music, and minstrel tunes.

Without getting too technical, maximum blues song is constructed from 12 bars (or measures). A particular series of notes is likewise utilized inside the blues. The character components of this scale are known as the blue notes. One needs to go to a  Blues Concerts 

Famous blues pioneers from the Nineteen Twenties such as son residence, blind lemon jefferson, leadbelly, charlie patton and robert johnson normally accomplished solo with just a guitar. Sometimes they teamed up with one or more fellow bluesmen to carry out inside the plantation camps, rural juke joints, and rambling shacks of the deep south. Blues bands can also have evolved from early jazz bands, gospel choirs and jug bands. Jug band tune became popular inside the south until the Thirties. Early jug bands variously featured jugs, guitars, mandolins, banjos, kazoos, stringed basses, harmonicas, fiddles, washboards and other normal home equipment converted into crude contraptions.

Whilst the country blues moved to the towns and different locales, it took on numerous local traits. Therefore the st. Louis blues, the memphis blues, the louisiana blues, and so on. Chicago bluesmen together with john lee hooker and muddy waters had been the primary to impress the blues and upload drums and piano inside the past due Nineteen Forties.

Today there are numerous different shades of the blues. Forms consist of:

Traditional county blues: a general term that describes the rural blues of the mississippi delta, the piedmont and different rural locales;

Leap blues: a danceable amalgam of swing and blues and a precursor to r&b. Jump blues was pioneered by means of louis jordan;

Boogie-woogie: a piano-based totally blues popularized through meade lux lewis, albert ammons and pete johnson, and derived from barrelhouse and ragtime;

Chicago blues: delta blues electrified;

Cool blues: a sophisticated piano-based totally form that owes much to jazz;

West coast blues: popularized particularly through texas musicians who moved to california. West coast blues is heavily influenced by the swing beat.

The Texas blues, Memphis blues, and st. Louis blues include a extensive variety of sub genres. Louisiana blues is characterized via a swampy guitar or harmonica sound with lots of echo, while Kansas city blues is jazz oriented—think remember basis. There is additionally the British blues, a rock-blues hybrid pioneered through john may all, peter inexperienced and Eric Clapton.

For more info on Blues visit  King Of Blues

Gibson Collectors

Joe Bonamassa recently dropped by the Gibson Custom shop in Nashville to talk all things guitar — including the brand-new Collector’s Choice #3, a.k.a. “The Babe.” Gibson Custom recreated Joe’s rare 1960 Les Paul that features a factory-ordered Bigsby vibrato. In the video below, the guitar master discusses the specifics of the original LP, as well as the Collector’s Choice editions, and reveals his own nickname for the guitar — “the Batman.”

Gibson will post a new video next week with the complete interview with Joe Bonamassa, touching on his new album, his signature Epiphone Goldtop and the influence of Eric Clapton.

Here is the band members Joe is bringing for the forthcoming accoustic tour this summer.

– Joe Bonamassa (vocals, guitar)
– Arlan Schierbaum (accordion, pump organ, celeste)
– Gerry O’Connor (Mandolin, fiddle, Irish Banjo)
– Mats Wester (Nyckelharpa)
– Lenny Castro (percussion).

Beth Hart & Joe Bonamassa

Beth Hart & Joe Bonamassa: Black Coffee

It has been 4 years since 2013’s critically acclaimed, Grammy nominated, and number 1 Billboard Blues album Seesaw was released by singer-songwriter and blues-rock powerhouse Beth Hart and guitar hero Joe Bonamassa. Since then, they have both been on fire, riding creative tidal waves both in the studio and live. So, the time was primed perfectly to reunite for another collection of scorching interpretations of ten soul gems that twins Hart’s breath-taking vocals, that sweep and delve deep into the belly of the song and Joe’s masterfully expressive playing make Black Coffee, released on January 26th, 2018, a captivating listen.

With producer extraordinaire Kevin ‘The Caveman’ Shirley (Joe Bonamassa, Led Zeppelin, Black Crowes, Aerosmith, Iron Maiden, Rush) back at the helm, the result is the stunning rollercoaster that digs deep into the soul catalogue where they honour but re-imagine songs from Edgar Winter, Etta, James, Ike & Tina Turner/Steve Marriot, Ella Fitzgerald, Lil’ Green, LaVern Baker, Howlin’ Wolf, Lucinda Williams and Waldeck. Each one having the majestic heart and soul that Beth and Joe bleed on each record.

Recorded in 5 days at Studio at the Palms, Las Vegas in August 2016 with some of the finest musicians around, they have once again recalled some familiar names in Anton Fig (Drums/Percussion), Ron Dziubla (Saxophone),  and Lee Thornburg (Horn Arrangements/Trumpet/Trombone) and welcomed in Reese Wynans (Keyboards), Michael Rhodes (Bass), Rob McNelley (Rhythm Guitar), Paulie Cerra (Saxophone), Mahalia Barnes (Backing Vocals), Jade Macrae (Backing Vocals) and Juanita Tippins (Backing vocals).

Talking about the sessions behind Black Coffee, Seesaw, 2011’s Don’t Explain and 2014s Live in Amsterdam, Shirley gives some insight of what they are looking to achieve; “We’re trying not to dig into a playbook that’s been done many times which is the old soul classics. We try and find a different spin on it, originally it was about trying to find some songs that people didn’t know at all and bring them back to people’s attention.”

One such song, was a Joe suggestion, the album opener Give It Everything You Got taken from 1971s Edgar Winter’s White Trash album, with its hard rock meets Stax infused sound, the band deliver a formidable performance. “I don’t think that’s a song a lot of people know, it’s an old soul classic but it’s not really amongst the pantheon of the ones you expect,” says Shirley

“One of the things Jeff Beck had said to me once that I thought was so wonderful was” explains Hart. “He said, as soon as you get comfortable, and if you stay there, you’re just gonna start dying as an artist. And I feel that, one of the gifts that I’ve got with working with Joe is that I’m always uncomfortable- in a good way. “

Shirley adds about the band, ”those guys just played live, they just came in and played, it was mind numbingly incredible to be in the studio when that happens, the band were so great.”

Lullaby of the Leaves, originally recorded by Ella Fitzgerald, was one of the lesser known songs on 1964’s Hello Dolly and like with how they approached Strange Fruit on Seesaw, they transformed the song into a delicate but brooding and cinematic offering.

“For me I’m able to explore the kind of music I have always admired from afar,” reveals Bonamassa. “But you don’t want to hear me singing Ella Fitzgerald…” he explained as Beth joins in. “I would never do Ella Fitzgerald without being with Joe, the things I get to do with you are things I think I grew up always wanting to do, but never believed I could.”

The gospel flavoured R&B workout Saved originally performed by LaVern Baker – only the second female solo artist to be inducted in to the Rock and Roll Hall of Fame in 1991 – has been covered by; Elvis Presley, Brenda Lee, Billy Fury, Elkie Brooks and The Band amongst others and is a full throttle, raucous, tongue-in-cheek moment, written from the perspective of someone who had lived a fast, loose life but is then “saved” and is now standing on a corner preaching to the passers-by. They also take an altogether different mood on the luscious Soul on Fire, where they pay homage to Baker’s first ever solo release.

Sitting On Top of The World is a stone cold classic and has been recorded by some of the world’s most iconic artists; Ray Charles, Howlin’ Wolf, B.B. KingCream and the Grateful Dead have all stamped their mark on it. Here it has a swirling duel from Bonamassa’s searing guitar and Wynan’s keys whilst Hart’s voice helps propel the song through the stratosphere.  The sultry punch of Lucinda Williams’ Joy has an irresistible guttural groove. “We have tracks like that in which, it was such a noisy jam in the studio, and I love that track, the energy in it.” Shirley enthuses. Addicted, is taken from the 2007 trip-hop leaning album by Austrian Electronic trio Waldeck which Shirley came across whilst on holiday and “shazamed” it.

The smouldering Damn Your Eyes is taken from Etta James 1988 comeback record Seven Year Itch, Kansas Joe McCoy’s jazz-blues Why Don’t You Do It Right? made its first impact on Lil Green’s 1941 version before Peggy Lee covered it a year later which went on to sell over 1 million copes after appearing in the movie Stage Door Canteen in 1943, both see the after dark bar room Jazz shine through. They harness prime Steve Marriot on his take of Ike & Tina Turner’s Black Coffee, inspiration coming from his version live on the BBC’s Old Grey Whistle Test in 1973, which see’s Beth sing with fire, fury and soul.

“It’s really predicated on the vocals,” Bonamassa explains. “We can’t cut these tunes without Beth singing and once she starts singing, it’s the glue that inspires us to get the extra 10% out of the playing. If we just cut them and sang later, the magic wouldn’t be there.”

“That’s something the two of us stopped doing many, many years ago” agrees Hart. “There was all this layering and layering and then it’s time for you to sing and it’s like you’re not even making music any more. There’s nothing like being able to sit there live and see Joe, seeing the drums, seeing the bass, being able to see Kevin. I can feel the vibrations, it changes the whole thing.”

“Kevin really gets that that,” she continues. “It’s like he wrote that idea. It just works the best, in the old old days, that’s how they did it, bad ass singers and bad ass musicians would have a couple of hours to get a whole record done or whatever it was they were doing and that was it, it was time to go.”

One of the key aspects of the sessions is to push everyone as much as possible. “They are always out of their comfort zone in the studio, this session especially wasn’t a comfortable session,” Shirley reveals. “Everyone left feeling challenged. It’s intriguing.  We go into the studio for 5 days and all of the musicians are challenged, they are all very good musicians, very experienced musicians, top of their field, nothing is easy, this isn’t a summer in the grass session, just a couple of chords, this is people digging in deep.”

Source : billboard blues

Blues Update

British Blues Explosion Live

• Joe Bonamassa has sold well over 3 million records worldwide and has fifteen #1 Billboard Blues Albums; his previous DVDs are certified gold.

• His most recent studio album, Blues of Desperation, released in March of 2016, marks his 16th #1 Blues album on the Billboard charts, more than any other artist, and landed at #5 on the Billboard Top Album Sales, his highest charting yet in the US. In Europe, it charted in 15 countries.

• Joe is touring Europe extensively in 2018.

• His latest collaborative album with vocal ”powerhouse” Beth Hart called ‘Black Coffee’ debuted at #1 in the Dutch album charts. Other chart positions include a #4 in Germany and #7 in the UK.

• Joe Bonamassa has been featured on the cover of virtually every guitar magazine multiple times. His name is notorious among guitarists not only for being a virtuoso, but also for his incredible collection of vintage guitars, gear and memorabilia.

Joe Bonamassa, the two-time GRAMMY-nominated blues rock guitar icon, who will kick-off his UK and European tour March 9th, has announced the release of British Blues Explosion Live on Friday 18th May on CD/DVD/Blu-Ray & 3LP (Black / Red, White & Blue) via Mascot Label Group in Europe and J&R Adventures in North America.

The DVD and Blu-ray includes amazing bonus content such as Joe performing “Taxman” Live at the Cavern Club, Joe being honoured with a “Brick In The Wall”, the British Blues Explosion Explained by Mick Wall and a photo gallery of the British Blues Explosion UK Tour.

A Salute to the British Blues Explosion, featuring the unbelievable music of Eric Clapton, Jeff Beck, and Jimmy Page! Joe pays tribute to his British Blues heroes during a short but very sweet tour of Britain – 5 performances only. This show was recorded at Greenwich Music Time at The Old Royal Naval College in Greenwich, London on July 7, 2016.

Joe Bonamassa has been more influenced by the impact of British Blues than by any other music out there. From a young age, the musically inclined Joe fell in love with the hard-rocking, gritty and edgy sound that emanated from mid-1960’s Britain. This is especially true of the highly innovative and evocative guitar music produced by three of the field’s greatest heavyweights, Eric Clapton, Jeff Beck, and Jimmy Page. With the deepest reverence for what these three men have accomplished and a true love of their music.<

Joe Bonamassa’s love of the British Blues is at the heart of his musical inspiration; and, for the first time, with this unforgettable performance he was able to give special homage to the British guitarists that inspired him, including Eric Clapton, Jeff Beck and Jimmy Page.

The five-piece band included Michael Rhodes (Bass), Reese Wynans (Keyboards), Anton Fig (Drums) and Russ Irwin (Rhythm Guitar & Backing Vocals).

Watch the trailer for the British Blues Explosion Live album here!

British Blues Explosion Live – Tour Dates

Joe Bonamassa

Joe Bonamassa

Joe Bonamassa has announced that he’ll release a new live package later this year.

Titled British Blues Explosion Live, it was recorded during the vocalist and guitarist’s show at Greenwich Music Time at The Old Royal Naval College in Greenwich, London, on July 7, 2016.

It was part of the live tour Bonamassa set up to honour the musicians who have inspired him, including Eric Clapton, Jeff Beck and Jimmy Page.

It’ll launch on May 18 on CD, DVD, Blu-ray and 3LP via Mascot Label Group/J&R Adventures.

Bonamassa says: “If it wasn’t for certain British musicians of the early 1960s, the blues may well never have exploded into rock music as we know it today, and indeed may have passed into history.”

British Blues Explosion Live is now available for pre-order. Find the cover art and tracklist below, along with Bonamassa’s upcoming tour dates and a trailer for the new release.

Joe Bonamassa British Blues Explosion Live tracklist

  1. Beck’s Bolero / Rice Pudding
  2. Mainline Florida
  3. Boogie With Stu
  4. Let Me Love You Baby
  5. Plynth (Water Down The Drain)
  6. Spanish Boots
  7. Double Crossing Time
  8. Motherless
  9. SWLABR
  10. Tea For One / I Can’t Quit You Baby
  11. Little Girl
  12. Pretending
  13. Black Winter / Django
  14. How Many More Times

Tour Dates

Wednesday, March 14, 2018 at 6:30PM Sage Gateshead Gateshead, United Kingdom
Friday, March 16, 2018 at 6:30PM Genting Arena Birmingham, United Kingdom
Saturday, March 17, 2018 at 7:00PM The Brighton Centre Brighton, United Kingdom
Tuesday, March 20, 2018 at 8:00PM Jahrhunderthalle Frankfurt Am Main, Germany
Wednesday, March 21, 2018 at 8:00PM Jahrhunderthalle Frankfurt Am Main, Germany
Thursday, March 22, 2018 at 8:00PM Wiener Stadthalle / Halle F Bezirk-Rudolfsheim-Fünfhaus, Austria
Saturday, March 24, 2018 at 8:00PM Dom Muzyki i Tańca Zabrze, Poland
Sunday, March 25, 2018 at 8:00PM Stadthalle Chemnitz, Großer Saal Chemnitz, Germany
Monday, March 26, 2018 at 8:00PM ARENA NÜRNBERGER VERSICHERUNG Nürnberg, Germany
Wednesday, March 28, 2018 at 8:00PM LANXESS Arena Koln, Germany
Friday, March 30, 2018 at 8:00PM Tempodrom Berlin, Germany
Saturday, March 31, 2018 at 8:00PM Tempodrom Berlin, Germany
Monday, April 2, 2018 at 8:00PM Sparkassen Arena Kiel, Germany
Monday, April 23, 2018 at 8:00PM The Santander Performing Arts Center Reading, United States
Tuesday, April 24, 2018 at 8:00PM State Theatre Easton, United States
Thursday, April 26, 2018 at 8:00PM Providence Performing Arts Providence, United States
Friday, April 27, 2018 at 8:00PM Hampton Beach Casino Ballroom Hampton Beach, United States
Saturday, April 28, 2018 at 8:00PM Hampton Beach Casino Ballroom Hampton Beach, United States
Monday, April 30, 2018 at 8:00PM Rochester Auditorium Theatre Rochester, United States
Wednesday, May 2, 2018 at 8:00PM Berglund Performing Arts Theater Roanoke, United States
Friday, May 4, 2018 at 8:00PM Fabulous Fox Theatre Atlanta, United States
Saturday, May 5, 2018 at 8:00PM Fabulous Fox Theatre Atlanta, United States
Tuesday, May 8, 2018 at 8:00PM King Performing Arts Center Melbourne, United States
Thursday, May 10, 2018 at 8:00PM St Augustine Amphitheatre St Augustine, United States
Friday, May 11, 2018 at 8:00PM Ruth Eckerd Hall Clearwater, United States
Saturday, May 12, 2018 at 8:00PM Ruth Eckerd Hall Clearwater, United States
Thursday, May 17, 2018 at 8:00PM Pensacola Saenger Theatre Pensacola, United States
Friday, May 18, 2018 at 8:00PM Shreveport Municipal Memorial Auditorium Shreveport, United States
Saturday, May 19, 2018 at 8:00PM Saenger Theatre New Orleans New Orleans, United States
Monday, May 21, 2018 at 8:00PM Smart Financial Centre At Sugar Land Sugar Land, United States
Wednesday, May 23, 2018 at 8:00PM Wagner Noel Performing Arts Center Midland, United States
Friday, May 25, 2018 at 8:00PM Moody Theater Austin, United States
Saturday, May 26, 2018 at 8:00PM Majestic Theatre San Antonio San Antonio, United States
Sunday, May 27, 2018 at 8:00PM Majestic Theatre San Antonio San Antonio, United States
Sunday, June 10, 2018 at 8:30PM Kursaal Oostende Ostende, Belgium
Tuesday, June 12, 2018 at 5:30PM Hampton Court London, United Kingdom
Thursday, July 26, 2018 at 8:00PM Humphreys Concerts By the Bay San Diego, United States
Friday, July 27, 2018 at 8:00PM Humphreys Concerts By the Bay San Diego, United States
Saturday, July 28, 2018 at 8:00PM Vina Robles Amphitheatre Paso Robles, United States
Sunday, August 5, 2018 at 8:00PM Red Rocks Amphitheatre Morrison, United States
Thursday, August 9, 2018 at 8:00PM Ryman Auditorium Nashville, United States
Friday, August 10, 2018 at 8:00PM Ryman Auditorium Nashville, United States
Saturday, August 11, 2018 at 8:00PM Ryman Auditorium Nashville, United States

Joe Bonamassa: guitar solos that changed my life

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LIVE AT THE GREEK THEATRE

LIVE AT THE GREEK THEATRE BLUES UPDATE

Joe Bonamassa Live at the Greek Theatre

Release Date : September 23, 2016
Format : CD, DVD, BLU-RAY

Joe Bonamassa King Of Blues Honors “The Three Kings” on ‘Live At The Greek Theatre’ CD/DVD/Blu-ray/LP, out Sept. 23

Over two hours of some of the greatest blues songs ever written are highlighted in a celebration of blues heritage

Los Angeles, August 2, 2016: On September 23rd, GRAMMY-nominated blues-rock guitarist Joe Bonamassa will deliver Live at the Greek Theatre, a 22-track Double CD, Double DVD, Blu-ray, and 4-LP Deluxe Edition tribute to three of the greatest bluesmen to ever live – Albert King, B.B. King, and Freddie King. Live at the Greek Theatre showcases “The Three Kings” tour of 2015; a 14-date US amphitheater tour that culminated at famed Los Angeles venue The Greek. Bonamassa celebrates the trio of blues icons with over two hours of some the greatest blues songs ever written. The release includes a collector’s edition booklet, and several bonus features containing behind-the-scenes footage and more. Public TV and MTV Live, formerly Palladia, will broadcast the epic Blues tribute performances during their August and September schedules.

Fans will instantly receive a free download of the track “Let the Good Times Roll,” as a thank you for pre-ordering the new Album. Live at the Greek Theatre can be pre-ordered here: http://shop.jbonamassa.com/collections/live-at-the-greek-theatre

Watch “Let The Good Times Roll” here: https://youtu.be/WOqvzacf9qg

Playing on a warm summer night to a nearly sold-out crowd, Bonamassa’s handpicked set list of songs was called “spectacular” by Premier Guitar; Los Angeles Times said the show “had swing and polish” and that “Bonamassa evoked the signature licks of all three icons while managing to put his own stamp on things.”

Songs ranged from blues standards to deep cuts, including “Born Under A Bad Sign,” “Lonesome Whistle Blues,” “Hummingbird,” “Let The Good Times Roll,” and, of course, B.B. King’s famed “The Thrill Is Gone” as the evening closer. For Bonamassa, the tour’s importance deepened significantly when B.B., his friend and mentor, passed away two months before it began. “My only regret is that B.B. was not alive to see it,” said Bonamassa.

Showcasing “magnificent guitar playing” (The Morning Call), Bonamassa introduced a steady rotation of vintage guitars, including four Gibson ES models, a Gibson Les Paul, a Gibson Flying V, two new Gibson Custom Shop models, two Fender Strats, and a 1972 Dan Erlewine custom Flying V named “Lucy,” originally owned and played by Albert King and currently in the collection of actor Steven Seagal.

The eleven-piece band included Anton Fig (drums), Kirk Fletcher (guitar), Michael Rhodes (bass), Reese Wynans (piano, Hammond organ), Lee Thornburg (trumpet, horn arrangements), Paulie Cerra (saxophone), Ron Dziubla (saxophone), and a trio of backup singers including Mahalia Barnes, Jade MacRae, and Juanita Tippins.

Live at the Greek Theatre continues Bonamassa’s tradition of honoring incredible concert venues like the Royal Albert Hall, the Vienna Opera House, Radio City Music Hall, Red Rocks Amphitheatre, and the Beacon Theater. As with all Bonamassa DVD shoots, the performance at the Greek offered a unique presentation of this historical music.

This tour was a continuation of the celebration of our blues heritage, which began with the 2014 production of Joe Bonamassa – Muddy Wolf at Red Rocks, a tribute to the music of Muddy Waters and Howlin’ Wolf. Both tours gave a portion of proceeds to presenting partner Keeping the Blues Alive Foundation, a non-profit Bonamassa founded in 2011 that promotes the heritage of the blues to the next generation, funds music scholarships, and supplements the loss of music education in public schools.

Bonamassa’s most recent studio album, Blues of Desperation, released March 25, marks his 16th #1 Blues album on the Billboard charts, more than any other artist, and landed at #5 on the Billboard Top Album Sales, his highest charting yet.

Track Listing:

CD 1

  1. See See Baby
  2. Some Other Day, Some Other Time
  3. Lonesome Whistle Blues
  4. Sittin’ On The Boat Dock
  5. You’ve Got To Love Her With A Feeling
  6. Going Down
  7. I’ll Play The Blues For You
  8. I Get Evil
  9. Breaking Up Somebody’s Home
  10. Angel Of Mercy
  11. Cadillac Assembly Line

CD 2

  1. Oh, Pretty Woman
  2. Let The Good Times Roll
  3. Never Make Your Move Too Soon
  4. Ole Time Religion
  5. Nobody Loves Me But My Mother
  6. Boogie Woogie Woman
  7. Hummingbird
  8. Hide Away
  9. Born Under A Bad Sign
  10. The Thrill Is Gone
  11. Riding With The Kings