Joe Bonamassa: This Weekend in The BluesMobile

Joe Bonamassa: This Weekend in The BluesMobile


Elwood welcomes guitar hero Joe Bonamassa, and his latest release, DIFFERENT SHADES OF BLUE. He turns to songwriting this time around, prompting the Bluesmobile to showcase some other writing talents, including, Keb’Mo’, Rick Estrin (and the Nightcats), and Janiva Magness. Also to be heard – influences Muddy Waters and Eric Clapton. This week’s blues breaker features Canadian blues duo Diana Braithwaite and Chris Whiteley.

The greatest guitar player was recently interviewed in the Guitar World.

Click to read the Joe Bonamassa feature interview in this month’s issue of Guitar World magazine. Guitar World compares Bonamassa to the likes of Stevie Ray Vaughan, discusses how his life has changed since the release of his new album Different Shades of Blue, and talks his ever-growing collection…
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“There’s nothing on my new collection that is going to outflank Clapton, Hendrix or alternate greats,” says six-string roots-and-rock riffraff rouser Joe Bonamassa. “That is not what I’m attempting to do. My occupation in 2014 is to keep that sort of natural music alive.”

For Bonamassa, that implies fanning the flares of soul. So in the wake of recording his new Different Shades of Blue, he headed to Colorado’s celebrated internationally Red Rocks Amphitheater in late August to assemble a blaze playing a sold-out show with a set rundown winnowed from the indexes of type goliaths Muddy Waters and Howlin’ Wolf that was shot for DVD.

“We had 10,000 individuals,” he says. “That is the thing that I call ‘verification of life.’ There’s dependably discuss soul vanishing, however it won’t. You simply need to make it somewhat diverse. That is the place the Black Keys and Jack White have succeeded and I’ve fizzled. They’ve really persuaded school kids that they’re listening to hip music—however its simply soul curved another way—while I’m playing for the school kid’s guardians.”

That is not so much genuine. Bonamassa’s broadsword tone, conflagrant licks, tidied soul singing and true to life melodies have cut through the striations of demography with a productivity inconspicuous by any roots-based guitar slinger since Stevie Ray Vaughan. He’s a social networking dear who offers out amphitheaters and amphitheaters in a glimmer. Also notwithstanding putting out his collections and Dvds, he’s hit Number One on the Billboard soul graph a record dozen times, offers more music than most significant name specialists and was selected for a Grammy in 2013. No big surprise the gentleman claims one of each Gibson Les Paul made somewhere around 1952 and 1961, including the two 1959s—his adored “Spot” and “Essential Skinner” Les Paul Standards—that he played on Different Shades of Blue.

Bonamassa’s fortunes turned north when he kicked the brew and-grill circuit for collaborating with his maker, Kevin Shirley, 10 years prior. Their catalytic blend of music and promoting smarts has brought about gold. At the same time Different Shades of Blue has a somewhat distinctive sheen, raising the effectively high bar of their studio craftsmanship a couple of more clicks.

There’s even a suggestion, flagging that something exceptional is in progress, to set up the 10 unique tunes. It’s an instrumental selection of Jimi Hendrix’s “Hey Baby (New Rising Sun)” that does equity to the first’s sharp-tooted Strat tones. Bonamassa continues moving like a solitary loop shark into “Goodness Beautiful,” tastefully coloring his crying expressionist solo with a patina of stage


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